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Mondrian: The Transatlantic Paintings Michael Lehmann A

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Michael Lehmann A

the authors show that Rosso’s waxes—his best-known works—were not modeled by hand but cast with the help of gelatin molds

candidate in the history of art and architecture at Harvard University and former Agnes Mongan Curatorial Intern in the Division of Modern and Contemporary Art at the Harvard Art Museums

With contributions by Scott Homolka

Mondrian: The Transatlantic Paintings Michael Lehmann AHarry Cooper and Ron Spronk ISBN 1 891771 17 5 304 pages 9x11 in. 118 color and 112 b&w illustrations Paper In this groundbreaking book, the authors investigate the artists transatlantic paintings17 works Mondrian brought with him when he left Europe for New York and later reworked. This collaborative study oers an intimate look into the studio of one of the greatest modern artists and establishes a new model for integrating art history, theory, and

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