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Also inside the venue is a sound installation created by m-flos Taku Takahashi

Wilsons Redneck Woman persona appropriates cultural resources from her class, racial, geographic, and professional contemporaries across the gender linefrom working-classand rural-identified white male rock and country iconswhile reaffirming her heteronormativity through stereotypically gendered images: lyrics on courting her mans desire and propping a baby on her hip, video cuts to female cage dancers and trailer-park moms